Television series like “Game of Thrones” and “Downton Abbey” increasingly play the role that, say, Balzac or Dickens did in the nineteenth century, serving as both a source of entertainment and fodder for debate. In this sense, our television screenplays have emerged as key tools of social and political analysis.
PARIS – Today’s popular television programs have become the equivalent of the feuilletons that began appearing in newspapers in the nineteenth century. Series like “Game of Thrones” and “Downton Abbey,” like Balzac and Dickens before them, serve as a source of entertainment and fodder for debate. In this sense, our television screenplays have emerged as key tools of social and political analysis.
PARIS – Today’s popular television programs have become the equivalent of the feuilletons that began appearing in newspapers in the nineteenth century. Series like “Game of Thrones” and “Downton Abbey,” like Balzac and Dickens before them, serve as a source of entertainment and fodder for debate. In this sense, our television screenplays have emerged as key tools of social and political analysis.