The specter of ``Americanization'' haunts the world. Its consequences are demonized everywhere, sometimes going as far as to draw on the metaphor of a (need I say American) science-fiction movie entitled Invasion of the Body Snatchers, within which hostile aliens imperceptibly take control of our bodies and our minds. But hyperbolic rhetoric about invasions misses the complexity of the cultural change taking place all around us.
Neither side in the debate about Americanization offers a convincing explanation for the phenomenon. Those who argue that Americanization is a virulent form of ``cultural imperialism'' apparently see it as a product of growing market domination by American media concerns. However, many giant cultural corporations - Japanese-owned Sony, Canadian-owned Seagram, Murdoch's empire or Germany's Bertelsmann - are no longer American, even though they promote American cultural models.
Even if the media were American-owned, it is too facile to say that consumers of culture the world over are mere clay in the hands of skilled marketing experts. It makes more sense to assume that there are some elements of social, psychic, and aesthetic gratification that explain the resonance of American cultural models, and provide for their commercial usefulness.
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The Russian state’s ideological madness and reversion to warlordism have been abetted by a religious fundamentalism that openly celebrates death in the name of achieving a god-like status. As Vladimir Putin’s propagandists are telling Russians, “Life is overrated.”
traces the religious and intellectual roots of the Kremlin’s increasingly morbid war propaganda.
It is hard to reconcile the jubilant mood of many business leaders with the uncertainty caused by the war in Ukraine. While there are some positive signs of economic recovery, a sudden escalation could severely destabilize the global economy, cause a stock market crash, and accelerate deglobalization.
warns that the Ukraine war and economic fragmentation are still jeopardizing world growth prospects.
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The specter of ``Americanization'' haunts the world. Its consequences are demonized everywhere, sometimes going as far as to draw on the metaphor of a (need I say American) science-fiction movie entitled Invasion of the Body Snatchers, within which hostile aliens imperceptibly take control of our bodies and our minds. But hyperbolic rhetoric about invasions misses the complexity of the cultural change taking place all around us.
Neither side in the debate about Americanization offers a convincing explanation for the phenomenon. Those who argue that Americanization is a virulent form of ``cultural imperialism'' apparently see it as a product of growing market domination by American media concerns. However, many giant cultural corporations - Japanese-owned Sony, Canadian-owned Seagram, Murdoch's empire or Germany's Bertelsmann - are no longer American, even though they promote American cultural models.
Even if the media were American-owned, it is too facile to say that consumers of culture the world over are mere clay in the hands of skilled marketing experts. It makes more sense to assume that there are some elements of social, psychic, and aesthetic gratification that explain the resonance of American cultural models, and provide for their commercial usefulness.
To continue reading, register now.
Subscribe now for unlimited access to everything PS has to offer.
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